Toronto Escorts In The News!

Toronto Strip Clubs: I just wanted to frighten, Brass Rail gunman says

March 16th, 2010 · No Comments

Paredes said he was seeking revenge on bouncer Shane Knox after Paredes and Zekarias were ejected from the strip club.

See the full article from “Toronto Sun”

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Toronto Strip Clubs: Man accused in Brass Rail murder denies telling his friend to shoot

March 16th, 2010 · No Comments

e said he was furious that he had been suddenly tossed out of a Toronto strip club, punched by the doorman, teased by a burly bouncer.
The 115-pound Awet Zekarias was angry enough he wanted to fight the bouncer. But, he insisted, not angry enough to have urged his best friend to fire his handgun at the club staffers, killing a bystander.
Taking the stand at his trial yesterday, Mr. Zekarias threaded carefully between saying that the staff at the Brass Rail strip club on Yonge Street provoked him, while denying that he egged his friend into shooting his pistol.

Mr. Zekarias had come to the strip club in the early hours of Jan. 12, 2008, to celebrate his 23rd birthday.

He also denied the Crown’s suggestion that he helped Mr. Paredes sneak his gun into the strip club.

See the full article from “Globe and Mail”

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Toronto Strip Clubs: Bozak Leading Impressive Leafs Rookies

March 16th, 2010 · No Comments

… Also re-watched one of my favourite indies, the triumphantly charming and bittersweet comedy Big Night. The late Gene Siskel named it his runner up for Best Picture of 1996 and 14 years later, it holds up as a real gem. The story of Primo (Tony Shalhoub) and Secondo (Stanley Tucci) and their desperate desire to keep their charming Italian restaurant running in the face of bankruptcy and their competitor’s populist enterprise (a ruthlessly riotous Ian Holm), they’re hoping a visit from jazz great Louis Prima can turn around their sagging fortunes. A story of small business, and undeniable brotherly love, the film will make you starved for some rich Italian cuisine and features a riveting five minute final scene without a single cut. A real triumph for Tucci who just earned his first Oscar nomination for Best Supporting Actor for The Lovely Bones and co-wrote, co-starred, co-produced and co-directed Big Night.
- Most obscure pop culture reference of the week from Family Guy: Peter’s wife, Lois says, “I’m not a big star. I mean, Penelope Ann Miller and Nancy Travis – those are stars!” Miller’s crowning work was of course playing a stripper in Brian DePalma’s Carlito’s Way.

See the full article from “NHL.com”

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Toronto Strip Clubs: Review: Stewart, Fanning glam it up in `Runaways’

March 16th, 2010 · No Comments

Yet music-video veteran Floria Sigismondi makes an impressive feature-film directing debut, crafting a brisk, engaging portrait, the story making up for its lack of insight into teen rebel Jett and her bandmates with driving, infectious rhythm.
For Stewart as Jett and Fanning as Runaways singer Cherie Currie, the movie is a smart showcase to help them break out of their molds as they take on more adult roles, Stewart aiming for life after “Twilight” and Fanning seeking to graduate from her position as Hollywood’s doe-eyed princess of child stars.
Both have done other mature roles — Stewart was a stripper and hooker in the upcoming “Welcome to the Rileys,” Fanning played a teen rape victim in “Hounddog.” Yet “The Runaways” will be an eye-opener for their fans, with Stewart and Fanning hurling themselves into the roles, their descent into the seedy 1970s world of sex, drugs and rock ‘n’ roll including a passionate kiss they share in a love scene.

See the full article from “San Francisco Chronicle”

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Toronto Strip Clubs: Robert Fulford: ‘As strong as he was in many ways, he was frail’

March 16th, 2010 · No Comments

In the lascivious gestures and arrogant posturing of strippers teasing beer-sodden customers, Robert Markle found the true subject of his art and his life. He quickened to the “wonder and waste, nightmare and fantasy” in that dark, seamy, slob-infested world on the edge of society. Erotic dancers were not his only subject but they were the material that seized his imagination and held it. He set out to possess that notoriously down-market culture and bring it into art. This was his chosen territory.

He once told me that self-revelation was one of the purposes, maybe the central purpose, of his art. Through his reactions to strippers and other models he depicted his own desires. Eventually, like the late Picasso, he sometimes placed himself in the picture, observing himself in the act of observing.

See the full article from “National Post”

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