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CHLOE
Movies:
Movie Review: ‘CHLOE’
Julianne Moore, Liam Neeson and Amanda Seyfriend star in a sexual thriller that takes off in unexpected directions
Grade: B
Stars: Julianne Moore, Liam Neeson, Amanda Seyfriend, Max Theriot
Writer(s): Erin Cressida Wilson, based on the screenplay NATHALIE by Anne Fontaine
Director: Atom Egoyan
Release Date: March 26th, 2010
Rating: R
Distributor: Sony Pictures ClassicsBy ABBIE BERNSTEIN, Contributing Writer
Published 3/26/2010
Adapted from the French film NATHALIE, CHLOE is a bit overwrought, as seems likely the case for any film about a loving but paranoid wife who investigates the possibility of her husband’s infidelity by hiring a prostitute. However, the movie takes off in so many unusual directions that it earns points for surprise, as well as a really winning performance by Amanda Seyfried in the title role.

See the full article from “iFMagazine”

At that point, Catherine hires Chloe, a young but sophisticated call girl who haunts the lobbies of luxury hotels. Chloe’s assignment is clear: entrapment. She is to make a move on David and see if he takes the bait.
For a while, the film explores some of the emotional fault lines that lie in any long-term relationship. Catherine, feeling her own youth evaporating, feels cheated that David is more desirable than ever, in her view. And it’s here where the film might have confronted some unspoken but explosive issues of fidelity, age and sexual attraction. It might have had some valuable insights on that painful question that has preoccupied couples at least since Diana Ross and the Supremes: Where did our love go?
Instead, “Chloe,” as it name implies, is much more interested in the young prostitute and her various pathologies. After Catherine and Chloe’s unusual arrangement takes an unexpected turn toward the erotic, the film still had the chance to say something about female sexuality. But again, the lure of portraying sexy/crazy gets the best of Egoyan, and the film overripens into a puerile variation of “Fatal Attraction.”

See the full article from “California Chronicle”

Some of the blame for that can be laid at the feet of the perpetually immature, sensationalistic nature of our society where such a thing would over-shadow the acting and storytelling. In just hours after preview screenings of Chloe images taken with cell phone cameras had been leaked online, not to mention the buzz that came from the international Red Band trailer that featured lesbian sexuality and Seyfried baring almost all. Though if it were a better film then I’m sure the quality would speak louder than the hype.
Based on the French film Nathalie, Chloe centers around Catherine (Moore), an affluent gynecologist in Toronto, who suspects her husband, David (Neeson), of infidelity. In a gender reversing twist on The Story of the Ill-Advised Curiosity from Cervantes’s ‘Don Quixote’ Catherine hires Chloe, a high priced “escort,” to see how far her husband will take a flirtation with a college age courtesan, the likes of which he is surrounded by daily in his job as a dedicated professor.

See the full article from “FanBolt.Com”

… The Sweet Hereafter,” one of the most memorable movies of 1997, stands out among Atom Egoyan’s body of work like a glittering diamond surrounded by costume jewelry. Now he almost inevitably builds suspense with a series of mysterious, seemingly contradictory actions, then explains things quickly and settles affairs in the most mundane manner possible. “Chloe” follows that pattern.
It comes from the French film “Nathalie,” which had a brief, tepid theatrical run in the United States in 2003. But its roots go back at least to the Middle Ages: It’s the old story of someone who tests her partner’s fidelity and realizes too late that such an examination can lead only to failure.
The doubter is Toronto gynecologist Catherine Stewart (Julianne Moore). When husband David (Liam Neeson) fails to show up for a surprise birthday party, she suspects he’s having an affair. She hires an expensive call girl to meet him in a coffee shop, flirt with him and report on the result.

See the full article from “CharlotteObserver.com”

AVC: Did you feel any obligation to research the world of high-class prostitution?
AE: Superficially. Just to make sure it still existed in this world of Internet and online escort services; I just wanted to make sure that one would still find hookers in hotel bars. And sure enough, yes, they’re there, and I paid to have a conversation with a couple of sex workers just to get the details of their job and to ascertain how the business was conducted, knowing that Amanda [Seyfried] would need to know all that. Just to give her some background. I must confess, when I first read it, it seemed a little antiquated in terms of the mechanics of meeting people in bars and negotiating deals, but that’s still very much a part of how it’s done.

See the full article from “A.V. Club”

But David somehow “misses” his flight home to Toronto — and the big surprise birthday party Catherine had waiting for him there. Subsequent discovery of a “thanks for last nite” text message on his cell phone fuels her mounting suspicions.
If his sexuality is the main text here, the big subtext is hers — and the sexuality of everyone around them. Their obnoxiously horny friend Frank indulges in PDAs with his tarty new girlfriend at a restaurant, while David flirts with the waitress. Everybody looks sexy and is having sex except her, or so it seems to obsessive, middle-aging Catherine: “I think I’m 19, and then I look in the mirror and I’m this old person.”
Time for her fateful introduction to enigmatic, impossibly beautiful Chloe (Ms. Seyfried), whom she hires for a variation on the girl’s escort services: to test David’s fidelity in a series of “chance” encounters, directed by Catherine. Chloe’s assignment is to report back with (increasingly graphic) accounts of sexual activity.

See the full article from “Pittsburgh Post Gazette”

U.S. landmarks such as Mount Rushmore, St. Louis’ Gateway Arch, the Las Vegas strip and the Empire State Building, and world attractions like the Eiffel Tower, Sydney’s Opera House and Big Ben and the Houses of Parliament are just some of the hundreds of sites that will turn off non-essential lighting for the hour.
Here are some lights that Richmond could turn off to participate in this year’s Earth Hour. Thanks to a bunch of Twitter folks for the additional suggestions.
Club Velvet’s completely pointless spotlight. We know where the strippers are.
The new MeadWestvaco building. It doesn’t need to be seen from space.
The spinning marquee outside Movieland with the numerous blinking lights (the one facing Boulevard). People will still know where Movieland is.
The Christmas lights my idiot neighbors still have on their house.
The Sauer’s billboard on Broad St. I think it’s nice too, but I’d be okay with the chef not pouring vanilla extract for an hour.
The lights in Richbrau. They have been on every day. I know for a fact they aren’t open. Or are they reopening…?

See the full article from “Richmond.com”