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Playing the musical’s Butterfly figure, Dionisio pulls off a subtle but impressive metamorphosis. As Kim, the tragic Vietnamese bar girl who bears a U.S. soldier’s child just as Saigon falls to the Vietcong, she seems to gain in maturity with each scene. At first convincingly girl-like as a demure teenage virgin (Dionisio is actually 36), she evolves into a sweetly doting mother and, finally, a haggard, near-hysterical woman who will do anything to safeguard her child’s future.
If Kim, the reluctant prostitute, is the musical’s paragon of pure-hearted self-sacrifice, Gray’s slimy pimp, The Engineer, is its symbol of corrupt self-interest. Needless to say, he’s the more entertaining character. As the scheming French-Vietnamese entrepreneur who sees Kim’s half-American kid as his ticket to the United States, a purple-suited Gray goes gleefully over the top. In his two big musical numbers, If You Want to Die in Bed and The American Dream, he chews Michael Anania’s bamboo scenery like a lean and greasy panda.

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