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Politics arrive in the second half, breathless but ready for duty, as Victoria is crowned and immediately put to the test as queen. Showing some hesitation with stone-faced displays of palace operation, Vallee is forced to portray Victoria’s developing pimp hand as queen. Again, Blunt is strong here, along with a skilled supporting cast, but the film deflates the further it walks away from Victoria’s tentative steps toward control, becoming repetitive and lost. Vallee does get the film back on track later in the story with a few domestic irritants for Victoria and Albert, which is where the heart of the period piece feels most comfortable. The history books lavish attention on Victoria’s political machinations, but “The Young Victoria” is at its finest when sensitive to her worry and accelerated maturity.

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